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The fuzzy noise of Full of Hell has the stage all to itself once again, morphing into a relentless barrage of riffs and songs unlike anything anyone has ever seen from them. \u201cTrumpeting Ecstasy\u201d is the first full length solo release from the grindcore quartet since 2013 and is making even their most hardcore fans realize that it has been far too long. Clocking in at just over 23 minutes of running time, this is a record for fans of the band both new and old, showcasing the best of their previous and future sound.<\/p>\n
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201cTheir riffs are more articulate yet come across more intense. The shifts are as dynamic as ever but with a bit less noise emphasis this time around. The focus is more on death metal and grind, with the hardcore parts a bit less often but as effective as ever. This band just doesn’t seem to let up and seem like they’ll keep getting better and better.\u201d<\/em> \u2013 Mike Belliveau, Guitarist of Fifty Feet of Earth<\/p>\n The first half of the album is a five-punch combo that kicks the door open on their refined sound. The album\u2019s lead single \u201cDeluminate\u201d sets an almost unsustainable pace for the listener, pummeling them with menacing leads and black tongued vocals. This shifts rapidly into \u201cBranches of Yew\u201d and \u201cBound Sphinx\u201d, tracks which stay true to the traditional grindcore structure yet stand out with a strong saturation of sludgy death grind and doom inspired breakdowns. \u201cThe Cosmic Vein\u201d follows that up with a grand showcase of the range of vocalist\u2019s Dylan Walker and Sam DiGristine, which are accompanied by more dark melodies and a brief indulgence into the realm of black metal. \u201cDigital Prison\u201d lands the final blow of side A with another classic burst of trademark demonic noise.<\/p>\n The heavyweight tracks of this album come out swinging on side B. \u201cCrawling Back to God\u201d and \u201cFractured Quartz\u201d roll out some of the best guitar parts written by the band to date, opting for complementing dynamics as opposed to piling on the noise. \u201cGnawed Flesh\u201d and \u201cAshen Mesh\u201d further this motif with cohesive shredding that perfectly transition into brutal slams. Trumpeting Ecstasy\u201d, the album\u2019s title track, tips the scale on both ends of the bands spectrum, casting a wide lens of the bands roots and the parallel that is their experimentation and growth. The album concludes with \u201cAt The Cauldron\u2019s Bottom\u201d, which embodies the metamorphosis of the band in the present moment. The longest composition on the record, the band once again hits that dark vein of their music with vile root notes coated in slimy vocals. The somber accents of the song are consistent from its aggressive start to it\u2019s powerful conclusion of slow chugging and distorted drums, dragging out the final bars to cement the record\u2019s impression on all who listen.<\/p>\n <\/p>\n Listen to the album here:\u00a0https:\/\/profoundlorerecords.bandcamp.com\/album\/trumpeting-ecstasy<\/p>\n <\/p>\n Check out Mike’s band Fifty Feet of Earth here:\u00a0https:\/\/fiftyfeetofearth.bandcamp.com\/<\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":" The fuzzy noise of Full of Hell has the stage all to itself once again, morphing into a relentless barrage of riffs and songs unlike anything anyone has ever seen from them. \u201cTrumpeting Ecstasy\u201d is the first full length solo release from the grindcore quartet since 2013 and is making even their most hardcore fans<\/p>\n