Cup of coffee? Check.
Special snack of news, music, happenings around town, topic-of-the-day, historical moment, interviews, and whatever is on our mind?
Check!
Unpack your lunch and pack your mind! Join us Monday through Friday at noon for this hour-long round-up with a rotating cast!
Or feel like having Lunch for Dinner? Then check out the sometimes-podcast version of the show.
For the past 20 years, Adrian Park has hosted Diversions, a weekly show dedicated to highlighting great classical performances. For the last 15 years, he has also extended his show by an hour each summer to present his Opera Series, in which he plays some of his favourite operas along a theme.
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I can’t help it: I love live theatre. I had the chance to talk with Len Falkenstein (director/writer/artist director), Jacob Martin (actor/Hamlet) and John Ball (actor/Polonius) and discuss the upcoming Bard In The Barracks production of Hamlet.
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If you’ve been in Fredericton for a while, you know that new performance venues don’t pop up very often — they usually just change names. I’d been wondering just what building had become The Hollywood Star Room when its proprietor, David Ivany, happened to contact me the other day. He shared with me where this brand
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Fredericton has plenty of history, and Frederictonians have a strange way of relating to it. We often talk about a place in this city by what it used to be, more than what it is. We hold fast on rules about appearance of buildings, and yet find ways to innovate. Lisa Ross and Solo Chicken
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Theatre is magic: you can recreate the entire world or a small slice of it, from any time period or moving between them. Ryan Griffith (co-writer, director) and Jean-Michel Cliché (producer, actor) from The Next Folding Theatre Company dropped by today to discuss their currently staged play, “Disintegrate Me”. We talk collaboration, the challenge of theatre and
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Some people are all heart — or maybe all lungs. Gilles Francoeur suffered a serious injury 17 years ago, but he always told himself that he would get back on his bike and take to the road in his personal challenge of riding around the entire province.
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Modern Acadian culture is thriving, but how far and wide does it’s impact spread? In the first half of today’s STU Lunchbox, Andrea Silverthorne explores our province’s treasure while demonstrating the great music on offer. In the second half of the hour, Peter Johnston looks into a broader question: can New Brunswick cities support a
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The first half of the STU Lunchbox this week talks all about alternative medicine. Mary Fahey presents interviews about extreme diets, acupuncture, chi gong and other points of view. In the second half, Karmen McGarvey explores the idea that rats might be the next dogs — after all, it’s an apartment-sized pet. Podcast: Play in
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Music is open to all — or at least, that’s how we see it these days. It wasn’t always the case in hiphop, but rappers like Eminem inspired a generation to say “that’s like me, I can do that”, just like the original hiphop itself widened the world of so many young men and women.
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The play Rossum’s Universal Robots (RUR) is nearly a century old, but its cautionary vision still rings true to this very day. A new production of RUR is being staged at Memorial Hall from April 9th through 12th, with a preview performance on April 8. Director and professor Len Falkenstein joined me along with two
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There are a lot of great volunteer and non-profit organizations which create opportunities and solve problems within the community. Sometimes, however, problems are bigger than any single organization, or more accurately, the solutions to some problems isn’t just in one area, but in several at the same time. In times like those, it is organizations
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Growth in business is a great sign for the economy, and Fredericton has been displaying some impressive kinds of growth, particularly in the independent startups. In the first half of today’s STU Lunchbox, Pat McCollough talks to some of the mover and shakers behind much of that motion, from Planet Hatch to Gerry Pond. In
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No guest today, but Station Manager “They Call Him” Tim joins me and we muse about memories of Nirvana, the notion of curated music in an age of information overload as the answer to why vinyl is so popular, and the international, instantaneous nature of all forms of music (which defeats ageism). Podcast: Play in
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September 11, 2001. So many things changed that day, but are we really aware of all the changes? And what if we could tell that some of the changes weren’t real? The narrative is well-known to most, but is it correct? Many have proposed theories around what happened, but a group of scientists are making
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I believe in theatre. It is not just 3D television, nor is it a book being read to you. It is it’s own medium, unique and powerful. Caleb Marshall, Director and Co-Producer of the new production of RED, joined me to talk about the challenges of a bi-located play (produced, practiced and performed in Fredericton
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It doesn’t get more diverse than today’s combination of guests! First up, Marianne Glover from the Tay Creek Folk Festival dropped by to tell us about their upcoming fundraiser for the Festival, as well as shared some of this history of the event and some of the performers coming at this summer’s edition. The fundraiser
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Infinite in variety, it has been said there is a kind of beer for every individual, for every taste. On the first half of today’s STU Lunchbox, Conrad Palmer investigates the world of the sudsy drink. A last-minute cancellation meant a missing space to fill, so the normally silent-engineer-in-the-room, class teacher Mark Tunney joins a
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The world is a complicated place. Perhaps it has always been so, and individuals have always had to choose the compromises and integrations of the pressures of society, family, and your own sense of being. We think of ourselves perhaps in an enlightened age, but that only means that we can discuss these conflicts more
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Friday brought with it plenty of great music and theatre combined, as well as community-minded groups. First, Roger Jean — beautifully and purply-coifed as “Rosie” — dropped by to tell me about tonight’s rockin’ charity show presented by wrestlers from XWA Pro Wrestling, local comedians and hard rockin’ bands called XWA Brain Bash. That’s happening
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The first half of the show is filled with the regular review of upcoming events (including several opportunities for writers and poets), but the second half features a real treat: an interview with Michelle Lavery, Master’s Student at UNB in Biology. Michelle shares her passion for science through the least likely candidate: a creature known
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It’s a sports-filled week for the STU Lunchbox! Sports play a big part in student life, but the opportunities can be sometimes harder to find. Kelsey Pye reflects on her experiences as the only girl hockey player on the boy’s team, and how hockey is trying to grow leagues for women across the province. In
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The world is big place, filled with interesting people and places, as well as needs and problems. University-aged people are the ones in one of the best positions to travel around the world and help solve these problems — and it’s good for students to see the world as it really is, with their own
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Our community is wonderfully diverse, so it only follows that the community show — The Lunchbox — is also similarly diverse! Today, a trio of great interviews with three very different facets of our community: community organization, the arts, and gaming for charity. First up, John Coates, one of the founder of The Great Gathering
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Our city may not be large, but it is mighty! That’s what Jean-Etienne Sheehy discovered after moving here from Moncton. In the first half-hour, he brings you his portrait of Fredericton nightlife. Sunny weather starts to turn thoughts toward more summery pursuits. In the second half-hour, Jeremy Trevors brings you several perspectives on his favourite summer
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“New Brunswick is a bit like a miniature Canada” is one of the greatest quotes I’ve heard in a long time. That was stated by Caleb Marshall, one of our guests on the Lunchbox today. He and Matt Carter talk about the staging of the translated play The Net: A Tragedy of the Sea, as
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